Showing posts with label Ian Jack. Show all posts
Showing posts with label Ian Jack. Show all posts

Thursday, 3 August 2017

Media Quotes of the Week: From when will print newspapers die? to Saudi takes stake in the Indy




Brian Cathcart on Byline predicts the end of printed newspapers: "The press is a very close-knit industry despite its affectations of rivalry, and the companies are prone to group-think, so instead of a series of dismal one-by-one announcements there could be a big bang, maybe around 2025, with almost all the rest of the titles stopping their daily presses within a few months. When that big bang comes, the great, sad obituaries of the printed morning newspaper will be written and many who have seen newspapers in their pomp will shed a tear, but the bitter truth is that for most people in this country – that is, for the very large numbers who have stopped buying them over the past few years or who never started buying them – print papers are already dead."


Roy Greenslade in the Guardian on the Brexit supporting right-wing tabloid press: "Where once they affected to inform, they now indulge in undisguised propaganda. Where once they were merely conservative, they are now defiantly reactionary. Where once they shouted, they now scream."


Ian Jack in the Guardian,  on his days on the subs desk on the Scottish Daily Express in the 1960s: "We were a kind of brotherhood. What did we have in common? That we were all men, that none of us had a university degree, that we worked night shifts, that most of us smoked, that we hated excessive length in reporters’ copy...Headlines were the pinnacle of the craft. A typeface such as 72-point Century Bold Expanded allows very few letters across two columns and it could be a struggle to find words that would fit – it was writing headlines that turned me into a smoker. 'FIRST FLUSH OF VICTORY,' I wrote proudly one night, over a planning row about new public toilets in Inverness. 'We’ll have no puns about piss and shit in this newspaper,' said the chief sub sternly, and told me to try again."


Jeremy Corbyn interviewed in the NUJ's national executive digital magazine Informed: “The print media have not been particularly fair to me or to Labour. Broadcast media coverage has varied greatly. We have had issues with various parts of BBC broadcasting, although I am a strong supporter of the BBC and a licence fee. In the election campaign what fundamentally changed was our intensive use of social media and a very good social-media team. Broadcasting rules mean that, instead of talking about political process, we got more of a hearing and were able to shift the focus of the debate.”



Ex-White House communications director Anthony Scaramucci, according to Ryan Lizzi in the New Yorker, when seeking the source of a leak: “You’re an American citizen, this is a major catastrophe for the American country. So I’m asking you as an American patriot to give me a sense of who leaked it.”

Anthony Scaramucci on Twitter: "I made a mistake in trusting in a reporter. It won't happen again."


Middle East Eye reports: "A mysterious Saudi-based investor has ploughed millions of dollars into a British news organisation renowned for championing liberal causes, in a move that will enrage human rights and press freedom campaigners. Sultan Mohamed Abuljadayel, 42, listed in company records as a Saudi-based Saudi Arabian national, has acquired up to 50 percent of the Independent website, whose newspaper shook Britain's journalism establishment in the 1980s before struggling financially and ditching the printed word in 2016."


Independent editor Christian Broughton in an email to staff, reported by Press Gazette: “I have been given cast-iron, unequivocal reassurances that we will be able to continue to publish as we see fit about Saudi Arabia and the rest of the Middle East, just as we always have, including throughout the period of the negotiations that have led to this new investment."


Amol Rajan on his BBC blog:"The Independent newspaper - of which I was editor between June 2013 and its closure last March - was founded by idealists who wanted an upmarket, centrist paper free from editorial interference. Goodness know what they would have made of the modern publication, a left-wing multi-platform digital title, pursuing a viral social media strategy with frequently salacious stories, whose main owners are the son of a former KGB economic attaché and the scion of Saudi property owners."

Monday, 26 September 2011

'Supply chain for newspaper is fragile' warns Jack


Ian Jack in the Guardian puts forward a gloomy scenario where in a few years time national newspapers could appear only a couple of times a week.

Jack, who has edited the Independent on Sunday and Granta magazine, writes: "If you like newspapers, the future looks dark. Only a couple of the qualities – the Telegraph and the Financial Times – make any money.

"If you like national newspapers and live at a distance from London, the future looks even darker. The supply chain that takes newspapers from printing presses to newsagents is fragile. If one big publisher, say News International, withdrew from the pooled distribution arrangements then the increased cost for the rest could be fatal.

"In newspaper offices, dark talk is common: by 2015 printed versions of the dailies might appear only once or twice a week, with a circulation restricted to London and perhaps a few other big cities."

Jack says of newspapers: "I shall miss them and not only because they provide a good part of my living. I hope the decent ones can carry on as long as possible. If you do too, the best thing is to carry on buying one."

Saturday, 2 May 2009

Does reading for free on the internet mean the end of paid careers for writers and journalists?

Ian Jack in The Guardian examines the problems faced by print journalism and book publishing and comes to a gloomy conclusion.
"We are in the twilight years of a certain kind of paid employment: the business of inking words on paper, to be read by a large audience that is largely unknown to the author. The crisis in newspapers is especially acute. But neither is book publishing immune. Advances against royalties are tumbling, staff have been cut, publishers take far fewer risks. The recession offers only a small part of the explanation. The fact is that generations are now growing up with the idea that words should be read electronically for free - a new human right - which has grave consequences for the people paid to compose and edit them.
"Writers and journalists like me, old enough to know manual typewriters, tend when we meet to congratulate ourselves on having seen "the best of it", meaning the years when a career could be based solely - mortgage secured, lunches enjoyed, etc - on small or large acts of English composition, often flawed."
Jack notes a paradox, demand for journalism and creative writing courses is soaring despite the problems faced by book and newspaper publishers.
He says of creative writing courses: "Why do young people apply? Because they think they can be the next Zadie Smith. Why do universities encourage them? Because money can be made from fees. Is this responsible behaviour? We need to weigh the smashed hopes of creative writers against the financial needs of their tutors, who are themselves writers, and earning the kind of money that writing would never supply."

Monday, 23 March 2009

More gloom as columnists warn over future of local press as democracy watchdog

With more regional press gloom today as Northcliffe predicts total job losses of 1,000 in the division as ad revenues continue to fall, it was good to see two national columnists stressing the importance of the local press to local democracy.
Johann Hari in The Independent and Ian Jack in The Guardian both looked at the crisis facing regional newspapers and the negative impact it would have on keeping local authorities under scrutiny.